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Jian Kiln: Hare’s Fur Glaze from the Song Dynasty

The Song Dynasty (AD 960-1279) was a period marked by remarkable advancements in Chinese art and culture. Among the many contributions to the world of ceramics, the Jian kiln stands out for its unique and exquisite tea bowls, particularly the “Hare’s Fur” tea bowls. These bowls are celebrated for their distinctive glaze and their deep connection to the tea culture of the era.

The Jian Kiln

Located in Jianyang, Fujian Province, the Jian kiln was one of the most significant ceramic production sites during the Song Dynasty. The kiln was renowned for its stoneware, especially the tea bowls that were highly prized by scholars and tea connoisseurs. The unique firing techniques and the natural resources available in the region, such as the local iron-rich clay and wood for fuel, contributed to the distinctive qualities of the Jian ware.

The “Hare’s Fur” Glaze

The “Hare’s Fur” glaze is one of the most famous and sought-after glazes produced by the Jian kiln. The name derives from the glaze’s appearance, which features fine, streaky patterns resembling the fur of a hare. This effect is achieved through a combination of high iron content in the glaze and specific firing conditions. As the bowl is fired, the iron oxide in the glaze melts and flows down the surface, creating the characteristic streaks.

The glaze’s color can range from black to dark brown, often with a subtle iridescence that gives the bowl a dynamic and captivating appearance. The surface of the glaze may also exhibit a variety of textures, from smooth and glossy to slightly pitted, adding to the tactile and visual appeal of the tea bowl.

Cultural Significance

During the Song Dynasty, tea drinking evolved into an art form and a social ritual. Jian ware, especially the “Hare’s Fur” tea bowls, became highly prized by tea enthusiasts and scholars. The bowls’ aesthetic qualities, combined with their functional excellence, made them ideal for the preparation and appreciation of powdered tea, which was the preferred method of tea consumption at the time.

The dark glaze of the Jian bowls provided a striking contrast to the frothy white tea, enhancing the visual experience of tea drinking. This visual contrast, along with the bowls’ tactile qualities, contributed to the meditative and reflective nature of the tea ceremony, which was highly valued in Song society.

Legacy and Influence

The legacy of the Jian kiln and its “Hare’s Fur” tea bowls extends beyond the Song Dynasty. These bowls influenced the development of tea ware in other parts of China and in Japan, where they became an integral part of the Japanese tea ceremony. Jian ware was exported to Japan, where it was highly revered and known as “Tenmoku” ware.

Today, Jian ware is highly valued by collectors and connoisseurs of Chinese ceramics. The unique beauty and historical significance of “Hare’s Fur” tea bowls make them a testament to the artistic and cultural achievements of the Song Dynasty.


The Jian kiln’s “Hare’s Fur” tea bowls represent a pinnacle of ceramic artistry during the Song Dynasty. Their unique glaze, cultural significance, and enduring legacy continue to captivate and inspire. These bowls are not just functional objects but are also works of art that reflect the sophistication and elegance of Song Dynasty culture.