Description: The bowl is covered overall with a lustrous black glaze streaked with fine ‘hare’s fur’ markings on the interior and exterior. The glaze stops above the foot exposing the reddish brown body.
Age: Song Dynasty.
Size: Approx 17.7 cm wide.
Condition: Good – Usual wear consummate with age.
Provenance: Maurice Collis collection – See below.
Provenance: Maurice Collis embarked on his journey of collecting Chinese ceramics during his time in Burma in the 1920s and 30s, while serving in the British Empire. His fascination with these artifacts began when a gold miner presented him with relics found near the ancient city of Tenasserim, not far from Collis’ base in Mergui, a region of Burma sandwiched between Siam on two sides.
This marked the inception of his enduring passion for early Chinese ceramics, an enthusiasm he continued to nurture upon his return to Britain. In his homeland, he became an active member of the Oriental Ceramic Society, where he contributed articles and meticulously documented his research and discoveries.
After retiring in 1936, Collis transitioned into a prolific writing career. His literary endeavors spanned a wide array of subjects, including Southeast Asia, China, and various historical themes. He delved into the history of Siam and China, as well as the rivalries among Western nations for dominance in sea-power and trade during the late Middle Ages in the East.
During his time in Burma, Collis had already become deeply engrossed in historical research. In 1941, he published “The Great Within,” a profound exploration of Chinese life spanning the Ming dynasty era to the early 20th century when the Manchu dynasty was overthrown. His work “Foreign Mud” delved into the opium trade and the Anglo-Chinese war, shedding light on these significant historical events. In “The First Holy One,” Collis delved into Confucius’s life and the profound impact of his doctrines on the Chinese people.
Collis was not limited to historical narratives. He penned several noteworthy biographies, including one on Stamford Raffles, a biography of Lady Astor, and a comprehensive portrayal of the painter Stanley Spencer. Additionally, he proved his versatility as an author by crafting plays, poems, and producing extensive writings on art and artists for various publications and catalogues. His memoirs, titled “The Journey Up,” were published in 1970, providing a captivating glimpse into his extraordinary life and experiences.